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Marcelo Braga x Gabriela Alcofra = And then the best happened…
by Gabriela Alcofra on The Red Man by Marcelo Braga
The music that invades the movement that invades the image that invades the speech that invades the music that invades the movies that invades the pores that invades the steps that invades darkness that invades the clothing that invades the audience that invades the eyes that invades the rays that invades darkness that invades the hole that invades the vision.
T as in transformation.
P as in parole. People. Pore. Possibility. Pixel.Part. Period. Pace. Pulse. Precision.
A work in need. What do you need?
G as in gesture. Gustatory. Gauze. Guepard. Gorge. Gentile. Get on! Guts. Gutural.
Up to what point life bumps the work that bumps the artist that bumps the image that bumps the public that bumps the artist that bumps the work that invents life?
M as in Metaphores. Memory. Marcelo. Music. Marisa. Monte. Mortal. Mishap. Much. Male. Masks. Mild. Meticulous. Movement.
Silence is the echo of the moving images.
S as in silence…
(close your eyes)
Sigh. Sensation. Synthesis. Solitude. Smile. Shall be? Should. Sonata. Surface. Safe. Sanity. YeS, I am.
(open pores)
An artist who invents truth in a precise game of images and dissolution.
Who’s on the arena?
Game. Gone? Granted.
Fat fish. Fierce. Fork. Fallacy. False. Fantasy. Fester. Frida. Francis. double F Federico Fellini.
(naked)
V as in vision. Verity. Vivid. Violence. Void. Voluble. Vermilion. View.
View…
And then the best happened…
(imagine)
Gabriela Alcofra is a creator in dance, post-graduate student in Scenic Arts at Unicamp, bachelor of dance and social sciences. Author of the poetry book Partituras de um Movimento Impermanente.
Translation Portuguese-English: Chris Ritchie, M.A.